Three ways to shoot the story before the wedding, from a single location in an afternoon to a two-day production across six. Shot at the hour the light actually works, not the hour that suits the diary, which is the single thing that separates these from a phone camera.
Stills and motion from the same afternoon.
One location, shot through golden hour.
Hand-finished for colour and light.
Sixty seconds, cut and colour graded.
We do not limit the shutter.
Three of us, so nothing is missed.
Three to four locations across one day.
Enough to tell the whole day.
A highlight film and a short reel.
Outfit guidance, posing, and one hour before we shoot.
Full crew, two angles at all times.
Desert and city, sunrise and night.
The complete set, hand-finished.
A highlight and two short films.
Aerial where permitted, hair and makeup on set.
We photograph the proposal itself, not a portrait session with a ring in it. We arrive before you, work from distance with a long lens, and capture the moment as it actually happens. The posed frames come after, once the surprise is over and you can both breathe.
Send us the date
WhatsApp is fastest. The date, the rough location, and whether they have any idea. We reply the same day.
We visit the spot at the hour you are proposing. You get a short plan: where you stand, where we hide, and the signal.
We arrive well before you and shoot from distance. You do not look for us and you do not wait for us.
30 edited photos and your highlight video, in a private gallery.
That is the whole point. We arrive early and shoot from distance. You will not see us until you turn around.
Two to six weeks is comfortable. If your date is close, message us anyway, we often have room.
For most public spots, no. For hotel rooftops and some venues, yes, and we arrange it.
We move you once at no cost. Fog in winter and wind on high terraces are the two that catch people out.
Included. The hour after is when the best frames happen, and we direct you through it.
